The first seats in Greek theatres other than just sitting on the ground were wooden, but around BCE the practice of inlaying stone blocks into the side of the hill to create permanent, stable seating became more common. It was also an opportunity for Athenian citizens to travel outside the city if they did not have the opportunity to do so during the rest of the year.
Tragedy began here, at the City Dionysia, in the sixth century B. Theater in Ancient Greece: Being a winner of the first theatrical contest held in Athens, he was the exarchon, or leader,  of the dithyrambs performed in and around Attica, especially at the rural Dionysia.
With the passage of time, the proportion of choral to individual lines decreased significantly, and the dramatic functions of the chorus, aside from the continued use of choral odes between episodes, were greatly reduced.
By the way, the addition of an actor allowed more lengthy and complicated stories to be included.
During the fifth century BC, five days of the festival were set aside for performance, though scholars disagree exactly what was presented each day. At the close of the festival, ten judges chose the winners according to the lots of aspects and awarded different prizes.
There was no stage, but the proscenium may have been raised one step higher than the orchestra, and there was no curtain. The performance space was a simple circular space, the orchestra, where the chorus danced and sang. Origins Tragedy is thought to have developed from the ancient dithyramb, or choral lyric, which was sung by a male chorus in honor of the god Dionysus at his annual festivals.
The tragedy was performed in Athens at the annual festival of Dionysus the Great in late March. For these reasons, among many others, oral storytelling flourished in Greece. Each this poet presented a tetralogy, which consisted of a satyr play and three tragedies.
It has been suggested that audiences may have preferred to see well-known plays re-staged, rather than financially support new plays of questionable quality; or alternately, that revivals represented a nostalgia for the glory of Athens from before the devastation of the Peloponnesian War.
The Festival of Dionysus written by: After these competitions, the bulls were sacrificed, and a feast was held for all the citizens of Athens.
This was a dressing room for the actors, but its facade was usually made to resemble a palace or temple and served as a backdrop for the action of the play. Each contestant was required to submit three tragedies and one satyr play a form of comedy that required the chorus to dress as the satyr companions of Dionysus.
His plays, along with other fifth-century BC writers, were often re-staged during this period.
It may have taken the form of a satire from the satyr play or the rough burlesque. The winning playwrights were awarded a wreath of ivy.Sophocles' Oedipus Rex essaysTragedy was performed in Athens at the annual festival of Dionysus, the Great, or the City, Dionysia in late March. Competition was held on three successive mornings of the festival.
Three tragic poets, who had been selected earlier in the year, each presented a tet. Great Dionysia: Great Dionysia, ancient dramatic festival in which tragedy, comedy, and satyric drama originated; it was held in Athens in March in honour of Dionysus, the god of wine.
Tragedy of some form, probably chiefly the chanting of choral lyrics, was introduced by the tyrant Peisistratus when he refounded. Many festivals of Dionysus were held in ancient Greece; this article concerns the major Dionysian festival known as Great Dionysia or City Dionysia. This festival is highly significant as the origin of dramatic tragedy and comedy.
as was the tribute brought by Athens' allies.
Three tragic poets then presented three tragedies on a single. The Dionysia (/ d aɪ ə ˈ n aɪ s i ə /) was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from BC, comedies. Festival of Dionysus and the New Wine Anthesteria was one of the festivals held in honor of Dionysus.
It was celebrated in most Ionian communities, but most of the information about the festival comes from Athens, where it was of particular importance. Three tragic poets then presented three tragedies on a single theme plus one comedy play.
The festival allowed three playwrights to have their plays performed in the tragic contests. Each contestant was required to submit three tragedies and one satyr play (a form of comedy that required the chorus to dress as the satyr companions of Dionysus).Download